One of the biggest myths about comics is that creators wake up one day and suddenly “make it.” In reality, comics are built through years of persistence, learning, rejection, and—most importantly—actually finishing things.
In this week’s episode of Talking Comics, I sat down with comic artist Kate Windels, creator of the western horror one-shot The Devil in the Herd. Our conversation covered everything from childhood creativity to professional comic work, and it offered a refreshingly honest look at what it means to be a creator today.
Kate grew up drawing constantly, long before she ever had access to comic shops. Her early exposure came from cartoons, movies, and newspaper strips—proof that there’s no single “correct” entry point into comics. What mattered wasn’t access, but obsession. She kept drawing, kept creating stories, and eventually pursued comic art formally in college.
That foundation led to something many aspiring creators struggle with: finishing a project. The Devil in the Herd began as a larger idea, but Kate made the smart decision to focus on a one-shot. In today’s comic market, short, complete stories are often more appealing to publishers and readers alike. A finished book tells publishers one crucial thing—you can deliver.
Our discussion on pitching comics was especially valuable. Kate didn’t sugarcoat the process: you ask a lot of people, and one says yes. Comics are a visual medium, and having polished pages to show is essential. A clear pitch, strong art, and a realistic scope can make all the difference.
We also talked about imposter syndrome—something nearly every creator deals with, no matter their experience level. Kate’s advice was blunt but encouraging: stop waiting for permission. If you want to make comics, make them. Don’t wait until you feel “ready.” Ready comes later.
Another important part of the conversation with Kate Windels was the need to actively advocate for more women in comics. Too often, women creators are overlooked, second-guessed, or met with unnecessary backlash—especially when working on established characters or high-profile titles. Supporting women in comics isn’t about checking a box; it’s about recognizing talent, perspective, and the hard work it takes to tell great stories. Whether it’s buying books by women creators, amplifying their work, or simply being open to voices that haven’t always been centered, the industry only grows stronger when more women are given space to create, lead, and be celebrated.
Beyond her creator-owned work, Kate also shared insights into working full-time in comics, including her professional work illustrating for VeeFriends Comics. Even with a steady job, she continues creating her own projects after hours—a reminder that passion doesn’t disappear once you go pro.
This episode wasn’t just about horror comics or westerns. It was about doing the work, finishing projects, and trusting that persistence matters more than perfection.
If you’re a comic fan, you’ll appreciate the behind-the-scenes look. If you’re a creator, you’ll walk away motivated—and maybe a little called out in the best way.
🎧 Catch the full episode of Talking Comics now, and stay tuned for more creator conversations every week.
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